Dance of the Dragonflies

2004

On the Saturday following Labor Day, our property had been transformed into a different ecological zone. After a summer of weekend rains, it was raining again.  By early evening the rain had stopped, but the land, and everything on it, had become saturated.  There was standing water on top of the hill. Frogs were hopping in and out the newly created ponds. Below the hill, patches of fog dulled the vivid autumn colors of trees in the distance.

Overnight a cold front moved in, banishing the fog, and in the morning trees, flowers and grasses stood sharp again.  There was only a short time before we’d begin the drive back to the city, and I hurriedly set out, camera over my shoulder. 

I’d been working hard to identify and photograph the flora on our property. I’d made a lot of progress the past spring, using blossoms of flowers and trees as the guiding feature. But at this time, early fall, I was reminded of how many species I still couldn’t identify. The bushes and low trees along the edge of the meadows were dense.  In summer they’d made an uninterrupted palisade of green. 

In fall, however, their individuality became apparent. The leaves were beginning to turn, and there were berries of different colors. Now I could easily identify different varieties of dogwood by their sprigs of red or white berries. There were smooth deep purple berries on some branches, bumpy deep purple on others. Were they viburnum berries, mulberries, or serviceberries?  The week before, guidebook in hand, I’d discovered we had bittersweet on our land.  In late summer bittersweet berries are plump balls of delicate green, not the easily recognizable crinkled-up orange ones.  I walked around Pine Island to check on the pin cherry that I’d located last autumn. Once again it was decorated with graceful dangles of pink and green berries.

A change in the light made me realize I’d spent more time in my discovery mode than I’d planned.  The sun was going down. As I quickly hiked back to the car, I stepped into a band of  soft amber light.  It highlighted a small patch of meadow near the treeline that the farmer hadn’t bothered to mow. White Queen Anne’s lace, yellow goldenrod, pink clover, and purple wild asters stood above dull-colored grass.  In that leftover ragtag of summer, dozens of dragonflies dipped and rose, alighting on each flower for only a moment, before they lifted and flew again. The light picked up the colors of the wildflowers and transferred them to the dragonflies’ delicate, translucent wings.  Through my entire field of vision little glints of  pale yellow, pink, and lavender rose and fell to nature’s silent music.

I didn’t bother to take out my camera. No photograph could capture this scene. I stood and tried to imprint the intricate dance into my memory.

© Barbara Scoblic 2019

Bird’s-eye View

                                               

 1960

In a Cesna, my boyfriend and I flew a few hundred feet above the twisting Whetstone River, and then he swooped us down even lower over my childhood farm.

 The gentle hills were flattened. They lost their contours. The great twists of the river were diminished; the proud oaks and cottonwoods lost their height, and their pride. And then with a shift of the clouds the deep green leaves, the bronze of the river, even the black spots of my father’s cows (that I spied in the pasture) lightened. All that I love faded to shades of gray. That beloved parcel of land had become an unfamiliar fading photograph.

© Barbara Scoblic 2019

Skipping Stones on Walden Pond

1995

If on that January afternoon

you had been standing near the ragged heap of rocks

where we had just added ours

and heard our laughter (but not seen us),

you would have guessed, perhaps,

three twelve-year-old girls escaped from a boring class,

not three women.

 

A thin layer of ice,

not quite reaching the shore,

created a large crystal drum, as we three sisters by choice

(when would we be together again?)

skipped our stones, making music,

zinging notes that echoed on to

the far edge of the dark tree-bordered bowl.

 

For a few minutes we competed,

searching along the shore for the best stone

and then aiming it carefully

to see who could make the music last longest,

but competing was not for us

and so,

we laughed and marveled at this moment.

 

Then, together, we each threw one last stone,

And hurried away,

Before silence could begin.

© Barbara Scoblic 2019